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Bouguereau

 

William-Adolphe Bouguereau  November 30, 1825 – August 19, 1905, was a French academic painter and traditionalist. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown.

Dante and Virgil

Having failed on two occasions to win the Prix de Rome (1848 and 1849), Bouguereau was hungry for revenge. His early submissions to the Salon reveal this fierce desire to succeed. After his ambitious Equality before Death (1849), the young man aimed to create an impression once again. He put forward an even larger painting inspired by Dante whose work was much loved by the Romantics and who captured all its dramatic beauty. This painting was inspired by a short scene from the Inferno, set in the eighth circle of Hell (the circle for falsifiers and counterfeiters), where Dante, accompanied by Virgil, watches a fight between two damned souls: Capocchio, a heretic and alchemist is attacked and bitten on the neck by Gianni Schicchi who had usurped the identity of a dead man in order to fraudulently claim his inheritance.

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